#138 (Room Sheets & Invitations Since 1988) 2023 Sydenham International, Sydney
New Old Paintings 2022 Sarah Cottier Gallery, Sydney
#117 (Survey) 2022 UNSW Galleries
On Hessian 2020 Sarah Cottier Gallery, Sydney
Shop Talk 2020 Ankles, Sydney
Bauhaus Now! 2019 Buxton Contemporary, Melbourne
Contemporary Recalcitrants 2019 Sarah Cottier Gallery, Sydney
Silver Jubilee 2019 Sarah Cottier Gallery, Sydney
The Conspiracy of Art by Jean Baudrillard and Decorative Paintings 2018 Sarah Cottier Gallery, Sydney
#80 2018 Knulp, Sydney
The National 2017: New Australian Art 2017 Museum of Contemporary Art, Sydney
Fabrik 2016 Ian Potter Museum of Art, Melbourne
Elizabeth Pulie 2016 Sarah Cottier Gallery, Sydney
Right Here, Right Now 2015 Penrith Regional Gallery & Lewers Bequest
Loose Change Menu 2013 Moana Project Space, Perth
#38 - #40 2013 Sarah Cottier Gallery, Sydney
Mixed Historical 2012 Neon Parc, Melbourne
The Baker's Dozen 2012 UTS Gallery, Sydney
Sweet Spot 2009 Ian Potter Museum of Art, Melbourne
To Make a Work of Timeless Art: MCA Primavera Acquisitions 2009 Museum of Contemporary Art, Sydney
Smart Casual 2008 Sarah Cottier Gallery, Sydney
Personal Other World 2006 Canberra Contemporary Art Space, Canberra
Seven Beauties 2005 Tin Sheds Gallery, Sydney
Situation 2005 Museum of Contemporary Art, Sydney
Rude Shock 2004 Penrith Regional Gallery & Lewers Bequest, Penrith
Art & About 2003 City of Sydney
Sydney/Vienna 2000 Akademie der bildenden Kunste, Vienna
Simple Squares 1996 Bellas Gallery, Brisbane
Imprecision 1996 Contemporary Art Centre of South Australia, Adelaide
Wall Work 1996 CBD Gallery, Sydney
Gold 1995 Sutton Gallery, Melbourne
Banners 1995 CBD Gallery, Sydney
Project for Two Billboards 1994 Next Wave Festival, Melbourne
Italian 1994 CBD Gallery, Sydney
100 Paintings 1993 CBD Gallery, Sydney
Spring 1993 1993 Sutton Gallery, Melbourne
Signals 1992 Museum of Contemporary Art, Sydney
Summer 1992 1992 Bellas Gallery, Brisbane
The New Naturalism 1989 Institute of Modern Art, Brisbane
#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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#117 (Survey) installation view
#117 (Survey) 2022 UNSW Galleries. Curated by James Gatt. Photo by Daniel Boud
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